By R. L. Stine
Publish yr note: First released in 1994
The best-selling scare sequence of all time brings you an exhilarating repackage of the sphere of screams! Jodie loves traveling her grandparents' farm. ok, so it's no longer the main intriguing position on this planet. nonetheless, Grandpa tells nice frightening tales. And Grandma's chocolate chip cookies are the simplest. yet this summer time the farm has particularly replaced.
The cornfields are sparse. Grandma and Grandpa appear tired. And the only scarecrow has been changed by means of twelve evil-looking ones. Then one evening Jodie sees anything rather atypical. The scarecrows appear to be relocating. Twitching on their stakes. Coming alive...
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Extra info for The Scarecrow Walks at Midnight (Classic Goosebumps, Book 16)
Characters regard them not only with fear but with loathing, with a combination of terror and disgust. In the attempted-abduction scene in James Whale’s movie version of Frankenstein, we see—in the background of a medium shot—the monster steal into the bedroom behind Dr. Frankenstein’s prospective bride. As she paces to a door screen-right the monster follows her. Suspense builds. The monster growls. As she turns, the camera cuts in for a close-up. She raises her hand nearly to her eye and shrieks.
20 Moreover, it should be evident that the feelings that accompany emotions 26 / The Nature of Horror not only vary from person to person, but also may vary within a single subject on different occasions. The last time I was frightened my muscles tightened but the time before that my muscles went limp. The qualia view of the emotions appears to entail that when I am in an emotional state I need only look inward to determine which emotional state I am in by attending to whatever pattern of feeling is dominant.
And, of course, some monsters, like the scorpion big enough to eat Mexico City, are magnifications of creatures and crawling things already ajudged impure and interstitial in the culture. Categorical incompleteness is also a standard feature of the monsters of horror; ghosts and zombies frequently come without eyes, arms, legs, or skin, or they are in some advanced state of disintegration. , de Maupassant’s “The Hand” and “The Withered Hand,” Le Fanu’s “The Narrative of a Ghost of a Hand,” Golding’s “The Call of the Hand,” Conan Doyle’s “The Brown Hand,” Nerval’s “The Enchanted Hand,” Dreiser’s “The Hand,” William Harvey’s “The Beast With Five Fingers” and so on.
The Scarecrow Walks at Midnight (Classic Goosebumps, Book 16) by R. L. Stine